Metropolitan Opera

THE MET: CAPTURED LIVE IN HD
THE ULTIMATE STAGE SPECTACLE ON CINEMA SCREENS

The Metropolitan Opera 

The Metropolitan Opera's award-winning series of operas captured live in high definition continues for its 14th year, featuring five new productions, including two Met premieres, screening concurrently with the New York season.  

The Met: Live in HD is the largest provider of alternative cinema content in the world.  The series brings live Met performances to more than 2,000 movie theaters in 71 countries around the world.

 

Eurydice

The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Rising American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story. With a libretto by MacArthur “Genius Grant” recipient Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Met Music Director Yannick Nézet-Séguin takes the podium, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter ego. 

Screening Saturday February 19 & Sunday February 20 at 1pm 
Adults $28, Concessions $24

 

Cinderella

Laurent Pelly’s storybook staging of Massenet’s Cendrillon is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians. 

Screening Saturday March 12 & Sunday March 13 at 1pm 
Adults $28, Concessions $24

 

Ariadne auf Naxos

The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. 

Screening Saturday May 7 & Sunday May 8 at 1pm 
Adults $28, Concessions $24

 

Don Carlos

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Met Music Director Yannick Nézet-Séguin leads a starry cast, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by Sir David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. 

Screening Saturday June 11 & Sunday June 12 at 1pm 
Adults $28, Concessions $24

 

Turandot (Puccini)

Superstar soprano Anna Netrebko makes her long-awaited Met role debut as Puccini’s icy princess—live in cinemas on May 7. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Michelle Bradley as the devoted servant Liù and legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring opera, which takes the stage in the company’s dazzling, ever-popular production by Franco Zeffirelli. 

Screening Saturday July 9 & Sunday July 10 at 1pm 
Adults $28, Concessions $24

 

Lucia di Lammermoor

Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. 

Screening Saturday August 6 & Sunday August 7 at 1pm 
Adults $28, Concessions $24

 

Hamlet

When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass Sir John Tomlinson as the ghost of Hamlet’s father.

Screening Saturday September 3 & Sunday September 4 at 1pm 
Adults $28, Concessions $24